I see you in here a lot and I think you're really pretty and Would you ever wanna go out with me ever? Terence Fletcher: So that is going to cause you to suddenly play right? I'm in studio band because I'm the best player Ryan: [interrupts] Hey, why don't you just back off, bro? But they didn't see what I saw. Terence Fletcher Terence Fletcher I believe that is an absolute necessity. And Jones nearly decapitates him for it. So, you do know the difference! Carl Tanner: It's okay. Terence Fletcher Are you one of those single tear people? Come play with us. Hey, look, I can play these charts. GET OFF! Now, was I rushing or I was dragging? That is not your boyfriend's dick. If you deliberately sabotage my band, I will f*** you like a pig. We have an out-of-tone player here. : Andrew: [interrupts] I saw a drive in him. You were, Erickson, but he didn't know and that's bad enough. That, to me, is an absolute tragedy. Andrew: [to Connelly] HEY, F*** OFF JOHNY UTAH! Andrew Carried your fat ass for too long Metz, I'm not gonna have you cost us a competition because your minds on a f***ing happy meal instead of on pitch. Cool. That, to me, is an absolute tragedy. A year later, he was first. Gets up to play at a cutting session, and he fucks it up. Terence Fletcher What are you there's no f***ing Mars Bar down there, what are you looking at? Ok, maybe a bug flew in my ear. We will stay here for as long as it takes until one of you faggots can play in time. Terence Fletcher: I can still f***ing see you, Mini Me! : You can't fucking do this to me! Terence Fletcher: For the record, Metz wasn't out of tune. Terence Fletcher [Carl takes Andrew's place at the drums as Fletcher goes back to compose the band] Start practicing harder, Neiman. Andrew: : Andrew The only reason you're in studio band to begin with is because I told you EXACTLY what I'd be asking for in Nassau! Yeah. Right? Good job." [after several hours of drumming] Connections in Literary Quotes in Movie Quotes in TV Shows : [at a movie theater, Andrew approaches Nicole behind the concession stand]. Give yourself at least two hours to get there this time, alright? Terence Fletcher: Andrew The next Charlie Parker. Andrew: Terence Fletcher : [Repeated line] Not quite my tempo. Other mistake: In the final scene both at the start . | Let's go with the Irish Mick fucking Paddy cracker. Terence Fletcher: Nieman, you earned the part. Parker's a young kid, pretty good on the sax. But I tried. Count again. And here comes mister gay pride of the Upper West Side himself. We're doing our best to make sure our content is useful, accurate and safe.If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly. Andrew: Oh yeah, it's right here. Uncle Frank: Travis and Dustin? : That to me is an absolute tragedy. IF YOU DON'T HAVE ABILITY, YOU WIND UP PLAYING IN A ROCK BAND. No, man, no. : Terence Fletcher: Everybody remember, Lincoln Center and its ilk use these competitions to decide who they are interested in and who they are not. J. K. Simmons Plot - Whiplash is a 2014 American psychological drama film. Terence Fletcher: : Am I to understand that you cannot read tempo? Nicole: I know it was you. Hey, you know, fuck off, Johnny Utah! Andrew Terence Fletcher: I don't think people understood what it was I was doing at Shaffer. You would've cut me by now. | HEY, FUCK OFF, JOHNNY UTAH! Relationships, friendships or other trappings of a normal life disappear under. | Did I ask you to star playing again? Whiplash After being accepted into the Shaffer Conservatory, 19-year-old jazz drummer named Andrew Neiman practices at night when Terence Fletcher walks into the room. Connolly, get your ass back on the kit! Were you rushing or were you dragging? Play the goddamn music. | [to band] Onstage! Terence Fletcher: What are you there's no fucking Mars Bar down there, what are you looking at? Terence Fletcher Fuck you! I was there to push people beyond what's expected of them. DON'T STOP! Carl: A janitor? You are a worthless, friendless, faggot-lipped little piece of shit whose mommy left daddy when she figured out he wasn't Eugene O'Neill, and who is now weeping and slobbering all over my drum set like a fucking nine-year old girl! I know. Nicole: : Listen up, cocksuckers! [notices the folder is missing] That sh*t? Terence Fletcher: [Repeated line] Not my tempo. Andrew: Nicole: And when I do see you, you'd treat me like sh*t because I'm just some girl who doesn't know what she wants. Terence Fletcher Terence Fletcher: That is not your boyfriend's dick, so don't come too early. What the fuck did you just say to me? Now is not the time, I swear to God. So for the final, FATHER-F***ING time, SAY IT LOUDER! I'll tell you, man - and every Starbucks "jazz" album just proves my point, really - there are no two words in the English language more harmful than "good job". | And they wonder why jazz is dying. I SAID NOT NOW! We have a squeaker today, class. : Save your travel receipts. Terence Fletcher: You are a worthless pansy-ass who is now weeping and slobbering all over my drumset like a nine year old girl! I think I'll call you Flannery. But is there a line? Andrew: One, two, three, four, one, two, three, four Fletcher: Jesus f***ing Christ! Andrew: I'm upset. FIND THE FOLDER! Fuck you, Fletcher! Usually it's someone who has fucking sticks. I SAID NOT NOW! Andrew I wasn't there to conduct. And I am not gonna have my reputation in that department tarnished by a bunch of fucking limp-dick, sour-note, flatter-than-their-girlfriends, flexible-tempo dipshits. Alternate Versions I saw a drive in him. We have an out-of-tone player here. I was there to push people beyond what's expected of them. I actually fucking tried. And a year later, he goes back to the Reno and he steps up on that stage, and plays the best motherf***ing solo the world has ever heard. Terence Fletcher: Say it so the whole band can hear you. Terence Fletcher: "You're here for a reason. I'll cue you in! But that's just what the world wants now. Goofs Whiplash Quotes 1. Terence Fletcher: You never earned anything. : : Terence Fletcher This scared, skinny kid, cursing himself because he couldn't get his scales right. So imagine if Jones had just said, "Well, that's okay, Charlie. [the band prepares; Ryan Connolly is on the drum kit], Terence Fletcher And I'm not gonna be able to spend as much time with you. A DUMB FUCK! Terence Fletcher: Yeah! Terence Fletcher Got it? Either you're deliberately out of tune and sabotaging my band, or you don't know you're out of tune, and that's even worse. Tanner, are you a fucking statue? You think I'm fucking stupid? Terence Fletcher And a year later he goes back to the Reno and he steps up on that stage and he plays the best motherfucking solo the world has ever heard. [in calm,soothing manner to Andrew] And I'm gonna be thinking about jazz music, my charts, all that. No, I didn't! FASTER! | Whiplash (2014) Quotes Showing all 62 items Terence Fletcher : There are no two words in the English language more harmful than "good job". Terence Fletcher Hey, why don't you just back off, bro? No wonder mommy ran out on you. Parker's a young kid, pretty good on the sax. Andrew: One, two, three, four. I believe that is an absolute necessity. Do you think you're out of tune? Hey, you know, fuck off, Johnny Utah! No, man no, because the next Charlie Parker would never be discouraged. It tells the relationship between Andrew Neiman, a 19-year-old ambitious jazz drummer and Terence Fletcher, an abusive, perfectionist bandleader at the fictional and prestigious Shaffer Conservatory. [Fletcher goes back to the room] Connelly's playing the part. Sorry guys, hate to put you through this. If you deliberately sabotage my band, I will fuck you like a pig. To be touched with love was a kind of miracle. Best Whiplash Quotes 1. Company Credits He practices. : So Charlie thinks to himself, "Well, shit, I did do a pretty good job." Fletcher: [points to sheet music] What does that say? I did do a pretty good job." [going back to compose the band] I think being the greatest musician of the 20th century is anybody's idea of success. Discover and share Whiplash Fletcher Quotes. Humiliation is a major theme of the film and a central tenet of Fletcher's teaching philosophy. : And I'm gonna be thinking about jazz music, my charts, all that. Hey, why don't you just back off, bro? | And he practices, and he practices with one goal in mind: Never too be laughed at again. Terence Fletcher You think you're better than us? Fletcher: You never earned anything. [a reluctant Andrew gets up from the kit and is replaced by Carl Tanner], [Band plays and is immediately cut off again]. Well, glad you could fit us into your busy schedule, darling. Show me your rudiments. Terence Fletcher Terence Fletcher The faculty were all telling him, "Maybe this isn't for you." [Andrew nods yes] Terence Fletcher: Say it. [in calm,soothing manner to Andrew] : Terence Fletcher: Terence Fletcher [after several hours of drumming] Now get your sticks and get your ass on stage. So imagine if Jones had just said: "Well, that's okay, Charlie. I'm so sorry, I'm so sorry. That to me is an absolute tragedy. Terence Fletcher Dying broke and drunk and full of heroin at the age of 34 is not exactly my idea of success. I got a reply for you, Andrew. Five, six Terence Fletcher Get the fuck off me! : Get the fuck off my sight before I'll demolish you! : : What the hell are you doing, man? Terence Fletcher: This is why I don't think we should be together. It's gonna be ugly. Andrew: I think being the greatest musician of the 20th century is anybody's idea of success. Bar 105. Terence Fletcher: The faculty were all telling him, "Maybe this isn't for you." Carl Tanner: But the truth was, he barely squeaked in to begin with, and, uh he was really struggling. What is that? Get off the stool. : Andrew 20 Quotes From Whiplash That Will Push You To Get Off Your Goddamn Butt & Reach For Your Dreams. : Andrew: 2) Yes, he purposefully set Neiman up. I don't know, I just never really saw the use. Now, was I rushing or I was dragging? God, you are a self-righteous prick. Nieman, you earned the part. : Terence Fletcher TURN MY PAGES, BITCH! So you just don't give a sh*t about any of this? Terence Fletcher: : Terence Fletcher Is that all you have you worthless Hymie fuck? Fuck you! Terence Fletcher: : Terence Fletcher [after Andrew stops drumming] It's my part, I'll be on your stage. Terence Fletcher: Continuity mistake: In the beginning where Fletcher observes Andrew drumming for the first time, Fletcher hangs his jacket on a hook. God, you are a self-righteous prick. Lawyer: To make sure that Terence Fletcher is never allowed to do this to another student. Let patients help define what value in medicine is. Nicole: What the f*** is wrong with you? Terence Fletcher: And so for those reasons, I'd rather just, you know, break it off clean because I wanna be great. And he's laughed off-stage. Andrew: But is there a line? Have fun. I told you that story about how Charlie Parker became Charlie Parker, right? Motherfucker! I found out this morning that Sean died yesterday in a car accident. Start practicing harder, Nieman. Terence Fletcher FASTER! You give a calculator to a f***ing retard he's gonna try to turn on a TV with it. Uncle Frank: You got any friends, Andy? : Terence Fletcher: No, double time. Like all you guys. And I'm not gonna be able to spend as much time with you. That was all right. Fletcher is an infamous teacher at Shaffer who recruits Andrew into his jazz band. Andrew: Hey, you know, f*** off, Johnny Utah! : Andrew: [louder] I'M UPSET! He was early second year and he'd started at Shaffer with a lot of hope. I told you about how Charlie Parker became Charlie Parker, right? Truth is, I don't think people understood what it was I was doing at Shaffer. : Terence Fletcher: I saw a drive in him. Terence Fletcher: "There are no two words in the English language more harmful than 'good job.'" - Terence Fletcher 2. : They have plenty of friends and plenty of purpose. End of story. Terence Fletcher: Andrew: One, two, three, four-- [slap] One, two, three, four-- [slap] One, two, three Fletcher: So you do know the difference! Andrew Two bars for free. And that's more than most people ever do. Terence Fletcher: Nicole: And I would stop you from doing that? But that's just what the world wants now. Terence Fletcher I'm not gonna have you cost us a competition because your mind's on a f***ing Happy Meal instead of on pitch. Terence Fletcher Terence Fletcher: Were you rushing or were you dragging? Andrew [entering the room] Look at me! Fuck you. Then why did you stop playing? Nicole: So, you know that I'm looking for players? So now you have it, right? And he's laughed off-stage. Don't worry about the numbers. Andrew: CAN'T? I'm upset! Andrew : Five, six. And really, I'm gonna start to resent you for even asking me to stop drumming. Why would you let him get away with what he did to you? Whiplash is a 2014 film about an occupied drum student and an abusive teaching conductor at a cutthroat music conservatory. Well, you better f***ing hope your memory doesn't fail you. I'm just gonna lay it out there. : Carl: I-- [stammers] You know this. Fletcher: Try me, you f***ing weasel. THEN WHY THE FUCK DIDN'T YOU SAY SO? Let's go! [walks over to Metz] It's okay. Whiplash by Damien Chazelle Buy Study Guide Whiplash Quotes and Analysis "I was there to push people beyond what's expected of them. Do I look like a double fucking rainbow to you? So Charlie thinks to himself, "Well, shit, I did do a pretty good job." Terence Fletcher Seth Godin. Bar 105. : Do you know you look like a f***ing leprechaun? : His mother claims this started during his time as Fletcher's student. Terence Fletcher: Either you're deliberately out of tune and sabotaging my band, or you don't know you're out of tune, and that's even worse. Upsy-daisy. : Ax-Crazy: When Fletcher gets mad, he gets mad.He's prone to kicking and throwing instruments around as if they had zero value when things don't go his way. I will drum your ass back to Nassau where you can turn pages until you graduate or f***ing drop out! And I would stop you from doing that? Before I continue, would that player care to identify himself? Looks like that might be all night. One, and two, and-, [Band plays and is immediately cut off again]. Why would you give it to Neiman? I wasn't there to conduct. All right, man. Got it? Before I continue, would that player care to identify himself? : : I just thought you should know. Subscribe A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential. Adjusting the seat, really? : [visibly distraught after phone call] Uh sorry , I Terence Fletcher Terence Fletcher Terence Fletcher [melancholic] The air quotes appear in the scene when Andrew arrives late for the show and begins arguing with Fletcher claiming that he "earned" the part. Official Sites Don't you know that? Fletcher: Tell me it's not you, Elmer Fudd. I'll cue you. I'm sorry, I Terence Fletcher: The next Charlie Parker. This is why I don't think we should be together. : And Jones nearly decapitates him for it. Andrew: [loud] I'm upset! [being restrained by band members] Oh my dear God - are you one of those single tear people? Terence Fletcher: Hey, look, I can play these charts. Terence Fletcher: Either you're deliberately out of tune and sabotaging my band, or you don't know you're out of tune, and that's even worse. : : Terence Fletcher Terence Fletcher Carl: I-- I can't go onstage. Andrew: I don't know, she left when I was a baby. : Travis: I got a reply for you, Andrew. [slap in the face] One, two, three, four. Fletcher: No? [Andrew keeps playing after the music ends] You know, for a fact? But the next morning, what does he do? : Play the goddamn kit! Seriously, take ten, twenty, a fuckin' hour. I'm here, I'm ready to go. So for the final, FATHER-F***ING TIME, SAY IT LOUDER!!! [kicks drumset out of the way and tackles Fletcher] Oh my dear God - are you one of those single tear people? Terence Fletcher Nicole: Soundtracks, Andrew stop playing because Fletcher enters the room, Andrew plays while Fletcher removes his jacket and puts it on a rack, Andrew continues playing until he hears Fletcher slam the door out, Andrew keeps playing after the music ends, plays a slow trumpet song through speakers, Rushes to pick up his rudiments, but turns to Connelly, kicks drumset out of the way and tackles Fletcher, the band prepares; Ryan Connolly is on the drum kit, Band begins to play for a moment only to be immediately cut by Fletcher, Ryan gets up from the kit and is replaced by Andrew, Band plays for a moment only to be cut by Fletcher again, a reluctant Andrew gets up from the kit and is replaced by Carl Tanner, Band plays and is immediately cut off again, at a movie theater, Andrew approaches Nicole behind the concession stand. Terence Fletcher You must be upset. You're here for a reason. Nieman, you lost the fucking part. If your ass is not on that stool with your own f***ing sticks in hand or you make ONE F***ING MISTAKE, ONE! Terence Fletcher: This is not Saint f***in' Patricks Day, Flannery. Oh my dear God. Terence Fletcher: People wonder why jazz is dying. [Andrew doesn't respond] ANSWER!!! : Andrew: : I wanted you guys to know he was a beautiful player. Fletcher: Say it so the whole band can hear you. Terence Fletcher: One, two, three Terence Fletcher : It's gotta be around here. Connolly, get your fuckin' ass back on the kit! We have an out-of-tune player here. [Ryan starts adjusting the throne] Oh, so that is it? I believe that's an absolute necessity." Fletcher Fletcher says this to Andrew at the jazz club about his tactics as a teacher. BULLSHIT! Yeah, I know this great pizza place. It's over, okay? It's gonna be ugly. A piece of vital evidence that gets overlooked is the air quotes that Fletcher does about an hour later in the film. Four words you will never hear from the NFL. 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